[overturns his kitchen table], Walt Kowalski: *YOU ROTTEN F***! Photograph: Photo by Anthony Michael Rivetti/Malposa Productions. You dig." As an initiation, they ask him to steal Walts Gran Torino, a 1972 Ford muscle car Walt proudly keeps in mint condition. While the story is about two people from different backgrounds that came together to form an unlikely bond, the film featured a many anti-Asian slurs. He's a p*ssy kid from next door. As you were reading the selections in this collection, you should have been gathering material for a narrative. Since I've been thoroughly desensitized by the military, I can't say the paltry 70+ f bombs phase me. Clint's son Scott Eastwood appeared in this movie as Trey. The passage is significant because it shows how Sue can relate to Walt despite their differences in age and cultural background. Briefly letting down his masculine guard against any vulnerability, Walt concedes that the priest may be right. It's a cultural thing, it expresses embarrassment or insecurity. Cooper, James ed. In subsequent scenes, Walt continues to react to the Vang Lors with racist hostility. Walt locks Tao in the basement and goes to the gang's house. "[10] Vang said that while the script "was premised on his not having any dignity" and that Thao "needs to be clueless and have no self-respect in order for the white elder man to achieve his savior role" and "has to hang his head and absorb abuse," Vang said that he added "intonation and gestures to try to give Thao some dignity. Having fought in Korea and having worked for Ford, Walt sees his son's job as a betrayal of his American values, particularly because of the Japanese automotive industry's displacement of American-made cars. "[21] They argued that the film gives no indication that Sue is in school or has any career plans for herself, despite her "tremendous verbosity. Father Janovich: Walt definitely had no problem calling it like he saw it. Walt Kowalski (Clint Eastwood) is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. A Mexican, a Jew, and a colored guy go into a bar. Walt says to himself, How many swamp rats can you get in one room? There is an American flag on his porch. Walt Kowalski: Take these three items, some WD-40, a vise grip, and a roll of duct tape. More books than SparkNotes. Home que nmero juega soar con avispas natriumcromoglicat tabletten. Gran Torino Part 1 Summary and Analysis | GradeSaver In the car, Walts son discusses with his children how Walts behavior was irritating. Bee Vang and Louisa Schein, "A Conversation On Race and Acting, 2010" in: Chi, Sang and Emily Moberg Robinson (editors). Well I think youre an over-educated 27-year-old virgin who likes to hold the hands of old ladies and promise them eternity.. "[16] Txhiameng Vu, quoted in Schein and Thoj's publication, said that Sue "is portrayed as intelligent and strong, she has no personal motivation to guide her character" and that since she is "[d]esigned as a character that exists primarily to serve the films storyline, Sue is unable to develop as a real character with her own motivation and resolution. An elderly Korean War veteran, Walt wears a scowl for the duration of his wifes funeral, judging the disrespectful appearances and behavior of his grandchildren. The film features a large Hmong American cast, as well as one of Eastwood's younger sons, Scott. Walt Kowalski: Get your ofay paddy ass on down the road. Sue Lor: And you're a better man to him than our own father was. In "Gran Torino," Clint displays the same old line-in-the-sand machismo when he confronts a trio of homeboys looking to rape a young girl.