Dorsey and Martin established a publishing company called Dorsey House of Music, the first black-owned gospel publishing house in the U.S.[18][19] His sheet music sold so well, according to Heilbut, it supplanted the first book of compiled songs for black churches, W. M. Nix's Gospel Pearls, and the family Bible in black households. In so many words, it's about rising above poverty while still living humble deserting the ways of the world while retaining its best tunes. I guarantee you watching this program you will be touched in same way watching this show!! Rainey interacted with her audiences, who were often so enthralled they stood up and shouted back at her while she sang. Villa Rica's rural location allowed Dorsey to hear slave spirituals, and "moaning" a style of singing marked by elongated notes and embellishments widespread among Southern black people alongside the Protestant hymns his father favored. Documentary about the American gospel music scene, focusing on two . Lornell, Kip, "Dorsey, Thomas (18991993) Blues and Gospel Musician and Composer". ", Combs is curator of photography and film at the Smithsonian National Museum of African American History and Culture, which helped fund the restoration of Say Amen, Somebody. [36] He is buried at Oak Woods Cemetery in Chicago. Many churches sought prestige in their musical offerings, which were often ornate and sophisticated liturgical compositions by classical European composers, such as Handel's Messiah (1742) and Mozart's Alleluia (1773). Similarly, the NCGCC in 1933 is described by Dorsey biographer Michael W. Harris as "a women's movement" as nine of the thirteen presiding officer positions were held by women. A Moment with Thomas Dorsey, from the Movie Say Amen, Somebody - YouTube from The Movie, Say Amen Somebody from The Movie, Say Amen Somebody AboutPressCopyrightContact. Documentary about the American gospel music scene, focusing on two of the movement's pioneering forces, Thomas A. Dorsey and Willie May Ford Smith. Labowskie, Mark, ". Say Amen, Somebody (1982) - IMDb Check out Charles Pike in the extras. . [5], Dorsey seemed ambivalent about writing church music until 1921 when he was inspired by W. M. Nix's rendition of "I Do, Don't You? (Poe, Janita, "Thomas A Dorsey, Gospel Pioneer". In 1975 he appeared in WBBM TV's documentary film The Devil's Music - A History of . Documentary about the American gospel music scene, focusing on two of the movement's pioneering forces, Thomas A. Dorsey and Willie May Ford Smith. These folks added boogey woogey to the hymns and were heretics. There was a great deal of early resistance to Dorsey's work, partly because it was rooted in the rural southern African-American culture from which the old-line urban churches sought to distance themselves in favor of assimilation. ), The song is attributed to Dorsey; the melody is influenced by "Must Jesus Bear the Cross Alone?" [23] Faced with rapid changes, old-line church members who preferred formal, more sedate music programs objected, leading to conflicts in and between Chicago's black churches.

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